Meet the Artist: Zvonimir Grbasic

What is your preferred art style, e.g., traditional, digital, or hybrid?

Traditional, always. I don't like digital graphics. I use pencils, brushes, and acrylic paints.

What is your creative process? E.g., is there a particular place you like to work?

I always do the same. First of all, I read about the time period and event that is the content of the illustration. Then I look for everything available about the appearance of the warriors, clothes, weapons, armour, other equipment, objects for everyday use – in short, everything that can make the picture interesting and new. The next stage is precise drawing and, finally, colouring.

I always work at the same place. It is important for me to feel comfortable, calm, and safe while working.

Do you have particular books or websites you consult for reference images?

I have my own library, which is the basis for finding all the necessary information. I look for what I'm missing on the internet. I don't have specific websites that I search, but when I come across a particularly useful and professional website, I save it on my computer so I can return to it.

Do you have a favourite piece you have made for Ancient History or Ancient Warfare in the past?

Actually, no. But I like some works better than others. I think it shows in my illustrations. It is not always easy or possible to follow the editorial idea and the needs of the author exactly. But everyone who is involved in creative work understands that. 

Do you have a particular favourite ancient historical period or type of event you like to illustrate, e.g., ancient Greece, battles, or architectural reconstructions?

I'm like a playful boy. (Some men never grow up, do they? Ha, ha.) The period that makes me happy today may be uninteresting to me tomorrow. 

I mostly like to illustrate warriors in a close-up view, so that their faces and equipment are clearly visible. And I also like scenes from battles and the warrior’s daily life in which all the weight of the experiences that these warriors went through on a daily basis is evident. In real life, warriors could never look like they just stepped out of the barracks. 

My approach to military-history illustration is significantly influenced by my own military experience in wartime situations.